What does sensory theatre mean to the modern audience? Asone of the oldest art forms and as one of the primeval kinds of humanexpression, the nature of theatre is as varied across the continents aspainting, pottery, sculpture or any of the classic art-forms. Each civilization, each society, each gathering of humankind has had its personalform […]
Discuss Samuel Beckett’s handling of identity in his plays Waiting for Godot and Happy Days. The work of Samuel Beckett can be seen to span both the Modernist and Postmodernist paradigms (Bradbury and McFarlane, 1991; Green and LeBihan, 1996), on the one hand being influenced by such canonical Modernist writers as James Joyce and Luigi […]
An analysis of the life and works of the choreographers Jerome Robbins and Agnes de Mille and therole of dance in musical theatre Agnes de Mille and Jerome Robbins worked in musical theatre in what is widely regarded to be the industry’s Golden Era. Many would say that it was their innovative approach to choreography […]
After reading and researching into Raymond William’s quotation, this essay will produce the main outlines of the naturalistic movement within Theatre and how important it is in modern day society. The main outlines discussed in this essay are the social and technological change after the Restoration period, what is the content of naturalistic plays, the […]
I choose the musical Cabaret as it is a very powerful story, set in 1931 Berlin as the Nazis were rising to power; it focuses on different controversial issues of its time period. A number of issues are explored throughout the unfolding story of the cabaret such as sexual freedom, politics and anti-semitism I feel […]
Discuss how the choreography of Martha Graham or Merce Cunningham reflected the changing contexts in which her/his work was produced. Martha Graham (1894-1991) was a truly inspirational and revolutionary performer and choreographer throughout the 20th century. Her work was a great influence to people from all aspects of the arts, from famous stage actors to […]
To demonstrate how a practitioner influenced the development of Musical Theatre, there will be an in depth analysis of Jonathan Larson’s works Rent and Tick, Tick…Boom, which will show how his style influenced other modern practitioners that got some of their ideas based on his works and how his works were influenced by other practitioners […]
“Jasmin Vardimon Company (JVC) is one of Britain’s most pioneering physical dance theatre companies, creating work that excites both the eye and the mind by pushing the boundaries of human physicality whilst engaging in universal, contemporary themes that strike an emotional chord.”[1] In this piece of work I will be discussing one of Britain’s leading […]
Adolph Appia (pictured left) 1862 – 1928, was a Swiss theorist, pioneer in modern stage design and is most famous for his scenic designs for Wagner’s operas (Design for act I of Parsifal Pictured left). What set Appia aside from other stage designers was his rejection of painted two dimensional sets. He created three dimensional […]
The La Boite Theatre Company’s production of Adam J. A. Cass’s I Love You, Bro , directed by David Bethold, is a play which masterfully engages and captivates the audience. It effectively tells an enthralling tale of love, deceit and manipulation. The play’s protagonist, Johnny, is a troubled teen who is desperate for love. Devoid […]
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